For a moment, it seemed like the streaming apps were the things that could save us from the hegemony of cable TV—a system where you had to pay for a ton of stuff you didn’t want to watch so you could see the handful of things you were actually interested in.

Archived version: https://archive.ph/K4EIh

  • davehtaylor@beehaw.org
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    2 years ago

    Yeah, cable was and is really awful. The amount of ads makes it literally unwatchable. And the shitty thing is that when cable TV was first introduced, the whole idea was that there wouldn’t be ads like broadcast because you were paying for it. And then they moved the goalposts. Something that Hulu in particular was very guilty of. In the beginning, only the free-tier had ads. And there was one paid tier with no ads. Then that started showing ads, and they created a higher paid tier with no ads.

    To me, one of the best things about streaming was timeshifting. You didn’t have to wait for Sunday at 9:00pm to watch a show, and maybe miss it, or have to DVR it, and maybe the recording didn’t work. Or whatever. You didn’t have to schedule your time around TV. You could watch what you wanted, when you wanted. And now that’s gone too, with weekly releases of shows, or half a season now, and the other half a month later, and so on. They’re bringing back scheduled TV and it’s fucking bullshit.

    Another promise was that we’d be able to basically have access to every tv show or film, and that evaporated very quickly when all the studios decided they wanted to gatekeep everything so they could charge even more for it, and then now we have them disappearing so many things that have been out there just because they don’t want to pay royalties to anyone involved.

    So much culture is being lost because of greedy fucking execs who want to use the things you enjoy as an extortion tool. Going back to cable isn’t the answer. It’s a failed model and needs to die. But we need a massive overhaul of the streaming scene to figure this out. Because right now, it’s so much worse that what came before.

    • Barry Zuckerkorn@beehaw.org
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      2 years ago

      Going back to cable isn’t the answer. It’s a failed model and needs to die.

      Defined narrowly enough, yes, that old model is dead.

      But more broadly, as an economic matter there will always be a business model for having a basket of content, with some portion of historical content (classic movies and tv shows from decades past) on demand, some ongoing/current on-demand content (last week’s episode of some scripted show), and live broadcast (sporting events happening right now). Build up enough of a catalog, charge a single price to subscribers for access to that content, and people will pay for the entire bundle. And because each subscriber is interested in a different portion of that bundle, the mass of subscribers essentially cross-subsidizes the fat tail of niche content: I don’t mind paying for your niche if it means my niche gets to survive.

      The technological and cultural changes have deemphasized the importance of cable’s live delivery mechanism of 100+ “channels” each with programming on a specific schedule, but the core business model still will be there: subscribe to content and you can get some combination of live channels and a catalog of on-demand content.

      The content owners, through either carriage fees with the cable/IPTV providers, or through the streaming services, or everything in between, are trying to jack up the price to see what the market will bear for those bundles. They might miscalculate to the point where the subscriber count drops so much that their overall revenue decreases even with a higher revenue per subscriber (and I actually think this is about to happen). And then instead of a market equilibrium where almost everyone pays a little bit to where there’s a huge bundle of content available, the little niche interests just can’t get a subscriber base and aren’t made available, even if the content is already made.

    • shagie@programming.dev
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      2 years ago

      Another promise was that we’d be able to basically have access to every tv show or film, and that evaporated very quickly when all the studios decided they wanted to gatekeep everything so they could charge even more for it, and then now we have them disappearing so many things that have been out there just because they don’t want to pay royalties to anyone involved.

      That is one part of it. The studios believed that if they did the distribution they’d be able to have a larger slice of the pie. This isn’t working as well as they thought it would in many cases (Disney is likely the exception if there is one with a very large historical catalog and several profitable franchisees) but didn’t realize the corresponding infrastructure and (customer) support costs that would incur reducing the amount that they make.

      Furthermore, the residuals (things that are currently at stake in striking) are based on “having it available” even if no one is watching it. This means that studios (and Netflix and Amazon) are strongly incentivized to remove shows that aren’t getting watched sufficiently for the draw of having them there because they’re paying residuals no matter if its being watched or not.

      Having a streaming catalog of 10,000 shows (Netflix has about 13,000 world wide by some accounts with about 5000 available in the US) would mean they’re paying small amounts to everyone even if they’re not getting watched. If the company (e.g. studio) isn’t set up around the infrastructure and support needed for streaming, this can easily mean that those small amounts can become more than the amount that the company is making off of streaming.

      Ever notice how Amazon Prime Video rotates in lots of B movies that are available for a few weeks and then disappear again? This is to get people to watch them but minimize paying residuals for having a bunch of movies and TV series that no one watches otherwise.

      With the combination of race to the cheapest for pricing (and sharing of accounts), and infrastructure / operational costs it is quite possible to be in the situation where studios are losing money on hosting shows and at the same time paying actors and writers far less than is fair… and the easiest solution that studios have to resolve this is to aggressively pull shows.

      https://text.npr.org/2023/03/06/1161382179/hbo-max-disappearing-shows-series-streaming-warner (full site for a 26 minute audio version)

      • acastcandream@beehaw.org
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        2 years ago

        Disney is likely the exception if there is one with a very large historical catalog and several profitable franchisees

        Disney is actually struggling with streaming and losing money hand over fist with D+. Last I saw they lost over 1bill in a quarter. They’ve had a few years now, you can’t just keep hemorrhaging money like that, at some point the “rapid growth” has to make way for revenue.

        • Zapp@beehaw.org
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          2 years ago

          All great points. That said, no one should feel sympathy for Disney’s profit margins.

          They can and should spend less on anti-piracy measures to become more profitable.

          And Disney could be 100% profit, overnight, while paying their actors and writers handsomely, if they just license their content to a streaming service that knows what they are doing.

          • can@beehaw.org
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            2 years ago

            They can and should spend less on anti-piracy measures to become more profitable.

            You mean by making a better service?

        • shagie@programming.dev
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          2 years ago

          https://www.axios.com/2023/08/09/disney-earnings-streaming-profits

          Disney also managed to narrow its streaming division losses significantly to last quarter to $512 million from $1.06 billion during the same quarter the year prior.

          That progress should give investors hope that Disney is on track to meet its stated goal of making its streaming business profitable by 2024.

          https://www.businessofapps.com/data/disney-plus-statistics/

          Disney Plus generated $7.4 billion revenue in 2022, an 42% increase year-on-year

          They’re getting better and have a lot of other revenue that they can use to offset those losses while they figure out how to do streaming more profitably.

          All of the following statements can be true simultaneously:

          • There is a lot of revenue (note revenue and not profits) associated with streaming content
          • Studios are losing money with streaming
          • Actors and writers are being paid much less for residuals of streamed content than would be considered fair
            • shagie@programming.dev
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              2 years ago

              I am making sure that if someone else reads it who doesn’t know or wasn’t sure if I used the words properly that the up front clarification would avoid them asking and then waiting a day or so to get a response that clarifies their question. While you and I may be familiar with it, there are also high schoolers who are reading this who are less familiar with accounting terms and their specific meanings.

  • Stillhart@lemm.ee
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    2 years ago

    It’s very frustrating to feel like I’m back to where were were before the streaming revolution: paying HUGE amounts of money to get TONS of content I’m mostly not interested in.

    The only saving grace is that I can get it all without ads still, so I’ll take that win.

    In the article, they talk about the bundling of services as a bad thing, but I feel like if I’m going to pay for everything anyways, I’ll happily take that huge discount, TYVM.

  • blazera@kbin.social
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    2 years ago

    a system where you had to pay for a ton of stuff you didn’t want to watch so you could see the handful of things you were actually interested in.

    I uh…have ya’ll used streaming services? Cus this has always been how streaming services worked too.

    • Acedelgado@artemis.camp
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      2 years ago

      It’s referring to cable packages. Oh you want to be able to watch FX shows? Then get the blue-tier package to add 30 random channels, 28 of which you don’t want for another $30 on top of the base price! Oh you want AMC too? Then get the green tier for another $45 as well that also has 35 channels you don’t want. Sorry, we don’t have a package with both FX and AMC, you’ll need to get the blue AND green packages on top of the $60 base subscription. Sorry, you can’t just choose what channels you want.

      Circa 2011 it’d just be like Netflix and/or Hulu were all you need to get most of the content since they had deals with the different studios. Now they’re all segmenting off onto their own.

    • Stillhart@lemm.ee
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      2 years ago

      Uh, no? Netflix used to have everything good. You could drop your $150/mo cable sub and get $10/mo Netflix and never look back.

      • blazera@kbin.social
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        2 years ago

        Netflix has always been missing a ton of shows I love, and had a ton of shows I dont like. But that’s subjective. Objectively, Netflix has had a lot of shows, and you dont get to pick and choose what you pay for. Which is exactly the criticism being targeted at cable TV here.

        • Stillhart@lemm.ee
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          2 years ago

          The criticism isn’t that you get a lot of crap you don’t want. It’s that you’re paying out the nose for a lot of crap you don’t want. Netflix had (arguably, granted) a much higher ratio of watchable shows, no commercials and at a fraction of the price!

          The issue is that now all the best stuff got parcelled out onto their own streaming platforms so you no longer get that high ratio of watchable stuff all for one low price. Parks and Rec isn’t on Netflix anymore. Neither is 30 Rock or Futurama or Bobs Burgers. Neither is Daredevil. Etc etc. To get all that content that used to be in one place, I now have to go to Peacock, Hulu, Disney+, etc. It ends up being the same problem of having to pay a huge monthly fee to see everything I want except instead of paying it to Comcast, I’m paying it to 10 different streaming services.

          Oh you want to watch Parks and Rec? That’s $10/mo or whatever the fuck Peacock charges. I wouldn’t know because I’m not paying for an entire streaming service to watch one fucking show. Same goes for every other garbage streaming service with one or two good shows and no other redeeming qualities (looking at you Paramount+, Apple TV+, etc).

          The issue isn’t that there’s a lot of crap I don’t want to watch. The issue is that there is very little I DO want to watch on each and if I were to buy them all, I’m paying the same amount I was before for cable.

      • blazera@kbin.social
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        2 years ago

        Netflix used to have nearly everything

        “a system where you had to pay for a ton of stuff”

        It’s like ya’ll are directly agreeing with me in words but not really grasping the words you’re saying. Streaming services have always had a lot of shows, some you want to watch, some you dont, but your subscription pays for all of them regardless. Exactly what ya’ll are attempting to criticize cable TV for.

        • TwilightVulpine@kbin.social
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          2 years ago

          The difference is that in cable TV you are beholden to their schedule. You might subscribe to a channel that has exactly what you want and still be unable to watch it because you are not free at that time.

          If stream had everything in one single service, who cares that it also has stuff that you don’t have any interest in? You could spend every moment watching just the thngs that you want to, there was no downside to having things you don’t care about. It’s such an archaic mindset to assume the price is bound to potential availability on an on-demand service.

          Netflix used to be priced affordably and have nearly everything. We are seeing now with services being split and prices rising that it doesn’t cost more because it has more shows, just on the contrary. It costs more because they think they can charge more and get us to subscribe to multiple services that offer less.

  • ElmiHalt@sopuli.xyz
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    2 years ago

    In the end the people who ran the hegemony of cable TV just got their hands on the TV streaming services and turned it into the hegemony of TV streaming service.

    Nothing have changed the goals people at the top had - they just needed time to adapt

  • frozenicecube@lemmy.ca
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    2 years ago

    The reality is that with inflating costs of necessities like food, house, and transport, more people will choose to opt out of streaming services when they jack the prices. Folks will either find alternate forms of content, or find ways of getting the content cheaper (Arrr!!)

    We now just wait to see if the increased price is enough to make up for the subscribers they’ll lose.

  • wagoner@infosec.pub
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    2 years ago

    One option, if your use case supports it, is to hop around the streaming services. We generally subscribe to one or zero for a month at a time.

    • vrighter@discuss.tchncs.de
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      2 years ago

      The reason I buy games is because pirating them is more trouble than just paying for them.

      Now with video streaming, the value add was that I didn’t even need to have to go search for something, it was just all there for a small fee.

      Now for that fee, I still have to search for stuff (klwhich streaming service is it on in the first place), juggle subscriptions, and also, in some cases, have to watch ads. Why would I do that when the old ways of the sea are more convenient again?